Contemporary architecture and awards in the Americas
DOI:
https://doi.org/10.22320/07196466.2025.43.068.09Keywords:
contemporary architecture, awards, analysis, culture, projecAbstract
Through the winners of the Rogelio Salmona Latin American Architecture Prize (RSLAP) and the Mies Crown Hall American Prize (MCHAP), this article aims to reflect on contemporary architecture regarding what the winning works say about the two awards, but also to point out underlying issues that reveal the nature of the latter, especially the MCHAP. Using an observation protocol, the works were analyzed individually, and the results revealed five recurring principles that structure the projects, demonstrating an exemption from the ideological distinctions of the awards and highlighting the dominance of open spaces as a qualitative characteristic in architectural Latinity. This distinction between the awards is the antechamber to the Latin American reflection, conducted after analyzing the works, which revealed an initial contradiction and a subsequent Latin twist in the MCHAP, and a continued coherence in the RSLAP, which is little valued. From MCHAP's credibility, the reflection glimpsed a risky ambiguity in the awards, where recognition is disguised as merit, to be usurped by the geopolitics of knowledge that contemporaneity needs to unveil.
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